“‘Acolyte’ is so tantalizing that you want to know more about what happened, yet it also works perfectly in 30 tight minutes…‘Jack’ is a seemingly lighthearted piece that lands quite the emotional punch...Ms. Ross sometimes flirts with cutesiness but always stops short, and she neatly captures the ebb and flow of a conversation...Zweibel supplies the sugary filling with ‘Playing God’…It may feel like an extended skit, but Mr. Zweibel has a way with old-school one-liners.”
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"Each of its three playlets takes a situation and diminishes it: We get an inert story about grief, a psychosexual talkfest that builds to an anticlimax, and a divine retribution plot with no thunder...Ross seems a draft away from done. Moore offers ‘Acolyte,’ a one-act burdened with an easy target...Sadly, nothing could rescue Zweibel’s ‘Playing God’...Despite a lazy Trump joke, the sketch seems to have been dusted off after years in the drawer. Back it goes."
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"Ross’s play ‘Jack’ puts a sweet, hyperrealistic magnifying glass to a moment of closure between a divorced couple...Ross understands that dance well and maneuvers her characters through it with humor and sincerity...Zweibel's sketchlike comedy ‘Playing God’...Some of the silliness falls flat, but ultimately the play does raise some interesting questions...Moore's play ‘Acolyte’ is the wildest and most unexpected ride of them all…It's absurdity of the most revealing and fascinating sort."
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“A superb variety of wonderfully performed pieces with moments that will make you laugh and touch your heart. The shows are tailor-made for your summer viewing…‘Playing God’ is a very clever and thoroughly enjoyable play…Edgy, yet amusing, ‘Acolyte’ is a well-conceived, thought-provoking show…An excellent opportunity to enjoy some of the best new plays that Off-Broadway theater has to offer.”
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"'Acolyte,' the highlight of the evening...Under Dinelaris' taut direction, each member of the cast delivers...'Jack:' Despite the sad subject matter, what follows is frequently hilarious...Ross has a fine ear for the absurdities of her characters' arguments...After these two offerings, the third, 'Playing God,' is a disappointment. Zweibel's playlet is a limp television comedy sketch...Nevertheless, this is the best evening at 'Summer Shorts' in several years."
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"A trio of plays, two of which are quite engrossing, with a third that serves more as a featherweight palate cleanser between the others...Ross's ‘Jack,’ a piece that earns both our laughter and our tears…’Playing God’ does seem like a piece of sketch comedy...This play is more chuckle-engendering than memorable...The biggest surprise is reserved for the final work in the 90-minute evening. It's a play called ‘Acolyte’...Moore has managed to create a fascinating piece."
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"An evening of one-act plays is best when they are unified around a single theme or the plays have something in common. Series A of 'Summer Shorts 2017: Festival of New American Short Plays' is a delightful bill around couples arguing - but over very unusual issues. The three playwrights, each with their own sensibilities, represent Oscar and Emmy winners as well as a finalist for the American Theatre Association's Francesca Primus Prize."
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"'Jack:' Playwright Ross shows a knack for the minor dramas of everyday life, whereas the two-person cast, under the guidance of director O'Donnell, convincingly portrays messy, sometimes illogical emotions...'Playing God' is rather slight, but there are a few witty one-liners worthy of laughs...Compared to the other short works, 'Acolyte' is tauter, with a faster pacing and a more sophisticated premise, providing plenty of food for thought once the curtain has come down."
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