CRITIC’S PICK: “So however you want to categorize ‘Stereophonic’ — perhaps a playical?...The music justifies the long buildup, and the play, Adjmi’s best so far, is as rich and lustrous as they come. You could even call it platinum.”
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“There’s a lot to admire about 'Stereophonic.' The cast gives feel-real performances under the thoughtful direction of Daniel Aukin.”
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“Aside from the fighting within the band, what binds ‘Stereophonic’ together is the work and perspective of Grover, the sound engineer. Gelb plays him with just enough slightly toxic aw-shucks male confidence, and he stealthily becomes the dramatic center of gravity.”
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"I am a longtime Fleetwood Mac fan, and to me the play felt like warmed-over fictionalized history."
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“ ‘Stereophonic’ doesn’t really have a plot; it has a vibe...Without exception the cast is appealing and utterly cohesive, directed by Daniel Aukin with his usual preternatural gift for tonal control...Does ‘Stereophonic’ rock? It does, hard. Instant classic.”
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“ ‘Stereophonic’ is a unique and singular exploration of the passion and torment that comes with making art that passes the test of time, and I have little doubt that this play will, too.”
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“Focusing on an Anglo-American band whose sharp-elbowed members include two troubled couples, Stereophonic is unlikely to see Mick Fleetwood or Stevie Nicks in the audience, but, even for non-fans of the classic album Rumours, this account of internecine personal and creative struggles is hard to beat…Across a luxurious three hours -- to be sure, the action never drags -- relationships crumble, friendships are betrayed, and nerve endings are given a thorough flaying...Stereophonic compels as a poignant character study and needle-sharp comedy.”
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“Adjmi writes realistic, sometimes amusing dialogue, and Daniel Aukin directs to mine maximal humor out of it, with the jagged rhythms and friendly-bullshitting encounters presumably endemic to recording sessions like these...It's as if Adjmi was so determined to illustrate the bruises and abuses and arguments and insecurities that go into producing an enduring work of popular art, after that he had nothing else to say. We get all that. We got it well before 10:45.”
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