"Willfully provocative, gaudily transgressive, and altogether staggering...Its urgency and sheer cultural heft, deployed like weapons in a furiously entertaining production...Harris manipulates white discomfort expertly...Until I encountered his potent brew of minstrelsy and melodrama I hadn’t known it was possible to cringe and laugh and blush at the same time...It asks a lot of its superior cast, whose portrayal of arousal and fury and shame feels terrifyingly real."
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"What is it, exactly? A satire? A sex comedy? An exploration of identity as performance, in the vein of Jean Genet? A topical political provocation? A sincere dissection of race in America? All of these things are true, but even together they don't do justice to what Harris has cooked up...’Slave Play’ is funny, probing, and, at times, disturbingly sexy. It snaps like a whip, and its aim is often outward...It asks a lot of its spectators, and has a lot to give in return.”
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"The piece understands the old-fashioned showmanship of a good twist...The pitch-perfect and vulnerable-as-hell performances by the play’s splendid octet of actors are what keep the sense of compassion in Harris’s work at the forefront. Not only does director Robert O’Hara embrace the fierce, fast comedy of the script; he’s also helping his ensemble to go to places that feel simultaneously raw and immensely rewarding."
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“The play acts like a whittling knife, refining and clarifying as it cuts. The first act is broad and impressionistic, and each of the next two sections is more realistic and denser with psychic danger than the last...What ensues is not only a deft exploration of what happens when love and power collide but also an excavation of a newly common kind of political-academic talk...Harris shows how the language of critical theory and that of Freudian talk therapy have come to echo each other."
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"This wildly imaginative work asserts itself with a daringness rarely seen on our stages these days...'Slave Play' doesn't fully live up to its considerable thematic ambitions, suffering from stylistic overindulgence and repetition. But it definitely marks its...author as a talent to watch...Harris effectively taps the vein of today's white-hot, charged debates...But after the big reveal, the themes are hammered home in overly expository, heavy-handed fashion that feels laborious and overextended."
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"Robert O'Hara directs this cringe-inducing comedy with a frank, unrepentant honesty that keeps us shifting uncomfortably in our seats. Yet to shy away from the play is to miss out on one of the most thoughtful and challenging theatrical works on interracial relations, institutionalized racism, and their effects on people of color since Antoinette Nwandu's 'Pass Over'."
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"Extremely daring, highly original and undoubtedly thought-provoking satirical drama...What makes 'Slave Play' so intriguing is its focus on how these residual racial issues may affect the intimacy between committed partners in some interracial relationships...This reviewer will leave it to the better qualified to discuss Harris' success in exploring the multi-layered issues at hand, but will certainly praised 'Slave Play' as completely engaging and emotionally challenging theatre."
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“’Slave Play’ is a good stab at a sociopolitical shocker, even when hampered by structural oddities, a taste for repetition, and a rather too-obvious need to ride the audience's nerves. It's an original, audacious, sexually explicit work...Boldly exploring the link between oppression and eroticism. Even when it irritates you can't say you've ever seen anything like it...‘Slave Play’ begins with shock-and-awe tactics, but ultimately, it nearly talks itself to death.”
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