Biblical drama, Wilde's tragedy, and Strauss's intense score unveil desire and shocking choices.
In a rare convergence of talent and narrative, Music Director Yannick Nézet-Séguin leads the Metropolitan Opera in performances of a compelling one-act tragedy composed by Strauss. The production, the first in two decades at the Met, is directed by Claus Guth, a prominent figure in European opera. Guth's interpretation places the biblical story in a Victorian-era setting, exploring the psychological depths of characters portrayed by an exceptional cast.
Derived from a brief biblical account, the narrative unfolds around a young Judean princess, portrayed by Elza van den Heever, who demands the head of John the Baptist as a reward for her dance performed for her stepfather, King Herod, played by Gerhard Siegel.
The emotional intensity of the story finds resonance in Strauss's evocative score, blending the grandeur reminiscent of Wagner's epics with the emotional impact of short Italian verismo operas. Under Guth's direction, the visually striking Victorian-era setting adds depth to the symbolism and shades of darkness and light.
