Sakina’s Restaurant
Closed 1h 40m
Sakina’s Restaurant
79%
79%
(56 Ratings)
Positive
86%
Mixed
14%
Negative
0%
Members say
Great acting, Entertaining, Clever, Intelligent, Funny

About the Show

Actor, writer, and former correspondent for "The Daily Show" Aasif Mandvi  brings his vibrant, comic, and heartwarming one-man show back to the New York stage 20 years after its Obie-winning debut.


Read more Show less

Critic Reviews (16)

The New York Times
October 14th, 2018

"At its funniest, which is often also its most uncomfortable, it has gained a new resonance...Mandvi does not need much to segue from one character to another. Sometimes it’s a small accessory, but mostly he simply modifies his posture, slightly tweaks the way he speaks...'Sakina’s Restaurant' has acquired a new, somber underlining, making us miss a time when ignorance was paired with benign disinterest rather than hate."
Read more

Time Out New York
October 14th, 2018

"Best enjoyed as a showcase for the actor...Through changes in gesture, inflection and accent, he switches characters at the drop of a scarf...As a playwright, however, Mandvi doesn't fare as well. 'Sakina's Restaurant is a succession of thin slices of life'...The play is more nostalgic than resonant: a bittersweet '90s period piece about a less xenophobic time, when the children of immigrants were more worried about things like arranged marriages than about forced separation and deportation."
Read more

The Hollywood Reporter
October 14th, 2018

"It now feels both timely and dated...The characters deliver not so much monologues but rather dialogues in which we're privy only to their end of the conversation...The play features several amusing episodes...But the evening generally trades in more serious matters as it deals with issues of cultural dislocation and assimilation...The actor shifts effortlessly among the various characters...Senior stages the evening in impeccable fashion."
Read more

AM New York
October 14th, 2018

"With its sympathetic portrayal of immigrants as they adjust to a new life and face questions of cultural identity, the play takes on an extended significance...Mandvi displays ingenuity and agility as a character actor. But while one can certainly appreciate the play’s heart and endearing simplicity, 'Sakina’s Restaurant' feels rather underwhelming today...More like a collection of sentimental, broadly sketched monologues than a fully developed work in its own right."
Read more

Theatermania
October 15th, 2018

"The play...focuses on the personal rather than the political — and in that respect, it's barely aged at all...Mandvi is most convincing when playing characters furthest from him in age and gender...During the weaker monologues, the holes in Mandvi's solo approach appear...'Sakina's Restaurant' succeeds on its own terms...Mandvi and Senior have assembled a mountain of stories, characters, and dreams. Even though cracks show here and there, their work is still impressive when viewed as a whole."
Read more

BroadwayWorld
October 14th, 2018

"Mandvi plays all of his characters with respect, affection and warm humor. While those of Indian descent will certainly catch on to more of his details, there's a universal familiarity to be appreciated in 'Sakina's Restaurant,' particularly for New Yorkers sharing the most culturally diverse spot on the planet."
Read more

New York Stage Review
October 14th, 2018

"The name Sakina means tranquility, or calmness; and that’s what you’ll feel when you enter 'Sakina’s Restaurant,' thanks to genial narrator/author Aasif Mandvi...Though Mandvi returns to Azgi between characters, his portrayals of the Hakims—especially Farrida and Sakina—are the most insightful...They’re also disappointingly brief, especially compared with Mr. Hakim’s endless harangue...We get it—dad speeches are supposed to be long and repetitive. But only in real life."
Read more

TheaterScene.net
October 31st, 2018

"Director Kimberly Senior has apparently brought out the best of Mandvi who never seems less than himself even as he impersonates a number of other people. It's a tour de force performance that places us in his ever-changing reality."
Read more