“This ‘Richard III,’... feints toward novelty while offering little in the way of originality — the actors all inhabit the genders of their characters as originally conceived.”
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There’s much that can be debated about what New York Classical Theatre omits from its version of Shakespeare’s Richard III, but what’s most noteworthy is that this production (alfresco, free of charge, and devoid of a queue to get in) is two diverting hours of well-acted, summer-stock Shakespeare for a heterogeneous audience.
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