"‘Molly Sweeney’ Review: An Eye-Opening Experience: In Brian Friel’s play, a blind woman has her sight restored by surgery, only to see that her life and relationships aren’t what they once seemed."
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"Not Much to See, but a Lot to Listen to, in Molly Sweeney: Brian Friel's play about a woman who regains her sight gets a Keen Company revival."
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"As if to prove the adage about the Irish and their gift of gab, in 1994 Brian Friel wrote Molly Sweeney, a play that talks itself into a standstill… it's a prose piece for the theatre, and it runs out of breath long before it is over."
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"It requires a good deal of concentration from the audience, but the rewards can be considerable. The Keen Company's revival directed by Jonathan Silverstein makes a persuasive case for a work that many critics have said succeeds more effectively as a book than as a play."
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5/5 Stars "Friel was not only prolific but also profound, though never showy. In the award-winning 'Molly Sweeney,' he remains commandingly quiet when speaking from the stage."
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"Even with good acting, a play told entirely in monologues can be difficult to make lively."
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"A solid revival…under the...direction of Jonathan Silverstein....Although well-performed, the work… eventually drags as the wordy passages accumulate over nearly two and a half hours. Without the give and take of inter-character discourse, what might have worked in 90 minutes grows static."
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