“Directed with striking clarity and command by Adrienne Campbell-Holt, 'Downstairs' is a well-constructed play of whipsaw moods that have much to do with Teddy’s instability — a restless volatility that Mr. Daly struggles to embody in a performance that is the production’s most amusing yet least convincing...It’s actually quite entertaining...Procaccino’s Gerry is a magnificent villain — belligerent, dangerous, and so habitually, casually vicious.”
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"Rebeck wrote 'Downstairs' expressly for the real-life Daly siblings...As an acting showcase, it serves its purpose—especially for Tyne...But as a play, 'Downstairs' needs some renovating. The suspense is hit-and-miss: Director Adrienne Campbell-Holt injects some nifty jolts, but slack pacing often kills the chills. The play toys with intriguing ideas...but the denouement doesn't induce an epiphany. Like its central siblings, 'Downstairs' still seems to be trying to find itself."
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“Although the production offers the welcome opportunity for...Tyne Daly and Tim Daly to make their first joint appearance on a NY stage, it offers them little more than a gimmicky acting vehicle...Rebeck ratchets up the tension slowly...The play feels repetitive...its slackness preventing narrative momentum from taking hold...The Daly siblings deliver complex, nuanced performances that somehow keep us guessing about their characters even while we're losing interest.”
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"It’s a dark, talky, somber evening by uneven, prolific playwright Theresa Rebeck that will not please anyone seeking a coherent, well-written play in a naturalistic style, but the performances by the Dalys are well worth a trip...Directed with balance and vision by Adrienne Campbell-Holt, 'Downstairs' doesn’t add up to much, but what’s there is riveting and suspenseful."
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“Primary Stages gets into the star-vehicle business with ‘Downstairs’...Poised halfway between an enigmatic Pinterian power struggle and a conventional thriller, ‘Downstairs’ is not without its plot holes...If some plot points dangle preciously, the climax features a couple of too-neatly arranged developments...Nevertheless, if you enjoy the Dalys at their considerable best -- and you don't mind an oversupply of exposition – ‘Downstairs’ packs some extremely potent thrills.”
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“’Downstairs’ is not an entirely satisfying drama. Before the story twists into suspenseful mode, it gets downright sleepy. Campbell-Holt...should have punched up that soft spot in her otherwise solid staging of the play. Still, some distinctive charm and subtle comedy arises amid Rebeck’s chitchat between Teddy and Irene as they fondly reminisce about growing up with their batty parents...While the play is not among Rebeck’s finest, it certainly delivers satisfying dramatic moments."
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“There’s good news and bad news about ‘Downstairs’...Good news: It stars the dynamite real-life brother and sister Tim and Tyne Daly...Though they’re cast as siblings, both actors...are playing terrifically against type...Bad news: Despite the Dalys’ best efforts, ‘Downstairs’ is almost as adrift as poor Teddy. It starts as a quietly intriguing dysfunctional-family drama...Takes a whiplash-inducing turn into thriller territory, then settles back very briefly into the brother-sister story.”
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“Rebeck has created two interesting characters for the Dalys...The way both ably inhabit these...characters is enriched by the chemistry...And Procacino...is genuinely scary. The problem is that the scare factor...isn't all that much of a tooth clencher...Despite Campbell-Holt and the three excellent actors doing their best to make this old-fashioned domestic thriller genre less creaky but creepy as ever, this is not as satisfying as other premieres presented by Primary Stages.”
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