"Dan Hoyle’s ‘Border People’ Blurs Lines: This work of documentary theater feels like a master class. But what is it meant to teach"
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3/5 Stars. "In the manner of Anna Deavere Smith, Hoyle inhabits his characters with a careful humanity, using gestures and vocal tics to differentiate them while resisting slips into caricature. Under the direction of Nicole A. Watson, he's convincing in every guise."
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"Dan Hoyle's 'Border People' Is a Compelling Look at Forgotten People Hoyle presents a new solo show made up of stories that don't often get told."
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"Reproducing a hard-to-forget parade of personalities, Hoyle paints a discomfiting picture of an American melting pot gone dismayingly cold. It's a gorgeous chorus of individual voices for those who are willing to hear."
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"The play is engaging from moment to moment, and this may be a case of the parts being greater than the whole. There is, of course, no central plot or protagonist. The play makes many varied suggestions about what it means to be a border person."
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"The issues among the people he impersonates range from the immediate to the amorphous and lack the organic continuity for a sharper commentary… As artfully recreated, the stories have momentary interest but are little more than passing sketches, lacking in dramatic impact."
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Score: 93%. "Must see theatre for the most important policy issues of our day - IMMIGRATION. You will leave the theatre with more questions. Stunning truths."
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"If Hoyle has a political purpose in 'Border People,' it's less about piecing together a ground-level look at a specific urgent issue, as it is to undermine popular assumptions based on a range of identities. That big black guy living in the Bronx is actually a chess master."
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