"Tina Landau’s exhaustingly imaginative production...You will probably adore this musical if: a) 'SpongeBob' was a formative influence of your childhood, b) you are a stoner who tokes up to watch reruns of the show on YouTube; or c) if you are (like my date for this show) a parent of 'SpongeBob'-bingeing progeny. If you are none of the above, you will find your patience sorely tested...Tune out until the next amazing set piece, and then gape at the ingenious reconfigurations of objects."
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"A joy. Like its irrepressible yellow hero, played by the peppy and limber-limbed Ethan Slater, the show is unabashedly committed to imagination and dorky enthusiasm...What send the show soaring are David Zinn’s sensational costumes and set...In the end, 'SpongeBob' succeeds because Landau and Zinn make even the most complicated musical staging look and feel like child’s play. It wants you to have fun. Soak it in."
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"It’s a truly gloomy soul who’ll be able to leave without mirroring the dopey grin with which the show’s absorbent yellow hero responds to his buddy’s existential angst...Under the joyfully maximalist hand of Tina Landau, Bikini Bottom gets the more-is-more-is-more-is-more treatment — with a DIY twist that’s both endlessly charming and integral to the production’s spirit...Is it too much? Nah, no such thing...I left realizing that I had smiled for literally every minute of it."
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"In heavy times, we can all use a little nonsense. (The good kind)...Here’s where the real twist comes: the show is very good. This is largely thanks to Tina Landau, its conceiver and director, who fills the stage with visual wit, from giant Rube Goldberg machines that spit out bouncy boulders to Zinn’s relentlessly clever costumes and sets...An all-star roster of artists supplied original songs but the standout is 'I’m Not a Loser,' by They Might Be Giants."
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“Ms. Landau and her superb cast never feigned enthusiasm and never just preached to the converted. They believed. And as a technical achievement, the show is extraordinary...Pure silliness readily mixes with knowing kitsch...The cartoon is transformed into a combination campy circus, rock concert and amusement park...In addressing those adolescent issues, the play is fervently sincere peddling pedantic homilies."
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“The last 40 minutes or so is such mind-rattling, eye-popping, rib-tickling fun that maybe I should just stop right there. Not that this popular series is ever short on energy, visual spectacle, inside-Bikinisms and the like...For, first-act problems aside, this show, ingeniously staged by Landau and choreographed by Gattelli within an inch of its CO2 life, has more to offer than we had any right to expect in this era of dreary Broadway knockoffs of Hollywood dross.”
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"Delightful but overstuffed...Explodes with catchy songs, Crayola-bright visuals, goofy humor, not-so-silly messages, and lots of heart. There’s a breakout star turn, to boot...Undersea denizens are given human form but retain telltale traits. It’s a smart decision that broadens accessibility...Momentum stalls occasionally from so many story threads, but David Zinn’s clever sets and costumes offer constant eye candy to compensate...'SpongeBob' is simply a pleasure."
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"Kyle Jarrow’s book retains the two key elements of the Nicktoon: the cheerful sea sponge’s unquenchable optimism and his selflessly heroic efforts to rescue his friends ...Landau’s hallucinogenic stagecraft transcends the show’s television origins by speaking a visual language that’s three-dimensional and boldly theatrical...It’s not as much of a gimmick as it seems, but without a signature sound, there’s no signature style. What there is, though, is plenty of giddy, goofy fun for all."
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