"At heart, Six is a sparkly lark—Hamilton Extra Lite, with the multiculturalism and anachronism and knowing name-dropping but without the plot, emotion and depth...Six is not deep. Six is fun. Let yourself go and enjoy the finery."
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"The show itself is a retro-mashup with Gabrielle Slade’s bedazzled costumes featuring Reformation-inspired silhouettes; Carrie-Anne Ingrouille’s choreography showcases Tudor-meets-pop moves; and Emma Bailey’s scenery and Tim Deiling’s lighting feels like what a royal ballroom might look like in a techno disco. Ultimately, the queens’ own stories of overcoming struggles and the show’s circuitous journey to Broadway are also beacons for the power of positivity, perseverance, and coming together in times of struggle. Just like these six “ex-wives,” we’ve all had it rough for the past year and a half, and the queens are here to bring in a new regime. Long may they reign."
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"Somehow managing to seem loose and improvisational without missing a beat, the cast (backed by a hard-rocking all-female four-piece band called The Ladies in Waiting) is pretty much flawless, one as good as the next and each distinguishing herself when the time comes."
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Best of all, Six is an original musical, with a wildly novel concept, put together by a young creative team, many of them in their twenties. This is how musical theatre moves forward, not by recycling yesterday's hits but by applying fresh thinking and up-to-date wit to a seemingly unlikely subject.
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"not what you might call a traditional musical, nor what formerly would have been considered a well-crafted one. But it has mass appeal, immediacy, enthusiasm, and an incredibly high sense of style; and it revels in what used to be called “girl power” but can now more properly be described as simply, or not-so-simply, power."
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"Six brings together a sextet of badass queens—clad in brilliant chain-trimmed corsets, studded black boots, and spiky crown-like headpieces designed by Gabriella Slade—to compete, American Idol–style, for a somewhat dubious honor: Who took the most crap from that self-serving, Church-splitting, six-times-married monarch?"
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"Indeed, as the queens take their respective turns in the spotlight, spectacle does overwhelm decorum, as the actors stunningly evoke the vocal stylings and stage presences of Beyoncé, Adele, Rihanna, and a few others I probably didn’t catch."
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"They have created a generous, funny, provocative show that races by you, grabs your hand and flies up into the stratosphere."
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