“An earthbound revival of Guare’s marvelous ‘Six Degrees of Separation’…Mr. Hawkins transforms a fatally mixed-up character into something close to a tragic hero…Ms. Janney is a highly credible Ouisa…The deception of the Kittredges and their society pals always had its farcical elements. But they have been heightened here at the expense of poignancy…It’s a tone that screeches as the play becomes darker, especially in the sequences involving Paul’s gulling of a naïve aspiring actor.”
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“Yes, John Guare’s 1990 hit feels dated…And yet, it swings both ways. Guare’s elegant and elegiac social dramedy actually seems startlingly prophetic…Janney is a perfect Ouisa Kittredge: martini-dry and quick with a quip, almost undone by maternal instinct. Hickey flits amusingly about as her art-dealer and husband Flan…Trip Cullman directs with great panache...The cumulative effect, once you get over the retro vibe, is renewed respect for a disquieting, still-rewarding work.”
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“At the edges, the play has been softened by time and by a production that gets a few things wrong. But at the core, especially in the character of Ouisa as now portrayed by the spectacular Allison Janney, it gets everything right...Cullman emphasizes the traditional theatrical elements as a way of comforting the audience when, I kept feeling, it ought to be afflicted…But even softened slightly as it is in this production, the play’s brutal message to sophisticates, comes through.”
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"Cullman’s staging is exemplary, but it’s the play itself that makes the deepest impression...One of the strongest American plays of the postwar era...Everyone acts with the high-keyed, anti-naturalistic histrionics that Mr. Guare favors, and the resulting unanimity of tone serves the play well...You’ll be struck by how fresh and immediate it feels. That’s a pretty good working definition of a classic, which binds past and present together in a web of permanent relevance."
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“A spectacular revival…’Six Degrees’ transcends its particulars and addresses something ineffably human: The terrifying gulf between how we see ourselves and how we need others to see us. That’s a theme for the ages…Hickey brings a powerful sense of irony to Flan…Hawkins is brilliant…Janney is utter conviction in conveying the transformation Paul has unwittingly, unexpectedly brought about in her...It’s only gained in power over the last quarter-century.”
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“Broadway’s crazy good revival of ‘Six Degrees of Separation’ is proof of theater’s enduring impact…Smart, juicy and still-potent…Surrounded by a crack ensemble of Broadway vets and newcomers, the three leads shine…Janney goes from above-it-all to something deeper when Paul’s ruses turn deadly serious...Hawkins is thoroughly convincing and seductive...Cullman’s energizing revival delivers its own thrills...An exhilarating, real-deal staging.”
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“Despite the vitalizing presence of Allison Janney in director Trip Cullman’s elegant revival, ‘Six Degrees of Separation’ lacks the comic bite of the original production…Guare has a great ear for inane small talk, and his conversational dialogue is pitilessly funny…Hawkins is a total charmer who effortlessly inhabits Paul’s preppy persona…Janney’s wicked, smart delivery is perfect for Guare’s witty dialogue. But she’s also uncommonly sensitive to Ouisa’s desperate need for someone to care for.”
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“Cullman's razor-sharp staging serves as a welcome reminder of the fiercely intelligent, pungently funny voice of playwright John Guare at his vintage best…While two sensational performances occupy the play's molten center, the entire large ensemble that surrounds them is on fire. That heat is due in part to Cullman's whiplash pacing...But it also rises from the play itself…It remains a work of stinging satirical brilliance...Hugely entertaining, clever and provocative."
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