"Ms. Mansour’s dialogue can be bleakly funny...While the dialogue often has a comic crackle, the characters’ fecklessness is less charmingly kooky than exasperating...Under the direction of Mimi O’Donnell, O’Connell displays an earthy good humor that partly makes up for her tedious forays into a fantasyland...Mansour seems to be striving not just for laughs but for pathos, too. The trouble is these people behave so absurdly that it’s hard to have much sympathy for them."
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"When the production itself becomes unsteady the play turns clunky and mean-spirited. But Mansour's sympathy for her central character and one casually wonderful performance mean that 'The Way West' occasionally lives up to the playwright's own ambitions…O'Connell is indispensable—a sympathetic tragedy-in-motion…O'Donnell handles the play's two farce scenes with quick confidence, but the wide spectrum of performance destabilizes an already tonally challenging play."
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"With this challenging, important new play, Mansour holds a mirror up to America: where we've been and where we might be going...One of the most watchable actors in New York, O'Connell gives a typically memorable performance...You are likely to leave 'The Way West' feeling deeply ambivalent. Mansour does not create likable characters. They are marked by delusion, jealousy, irresponsibility, sloth, and blind faith. Still, few among us can claim to be completely free of those foibles."
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"'The Way West' suffers from a certain monotonousness--things just keep getting worse--that undermines one's interest in the characters. Watching them repeatedly screw up, it becomes increasingly difficult to care what happens to them...Mimi O'Donnell's direction can't bring urgency or a rooting interest to this situation but her cast is fairly solid...As 'The Way West' follows a predictable path to ruin, Mansour's editorializing fails to take it to state-of-the-nation play status."
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"A little of Mom's soliloquizing goes a long way and, in less capable hands than Deirdre O'Connell's, these sequences would be wearing. O'Connell, however, is one of the most adroit, compelling actors currently working, and her performance is reason enough to see 'The Way West'...[The designers] have found clever ways to deliver the whopping physical surprises in Mansour's wild and woolly script...Even in its most poignant moments, 'The Way West' is very funny."
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"If there was ever any doubt that Deirdre O'Connell is one of the best actors working in New York City, head down to Labyrinth...It's predictability that makes 'The Way West' wander from its otherwise playful and engaging path...There's a lot to admire about a story focusing on women fighting for dignity...But since the women are victims of their own poor decisions more often than not, by the end when things are in total disarray I didn't really feel sorry for anyone."
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"Played masterfully by Deirdre O’Connell, Mom is a plain-talking spitfire...'The Way West' feels like a play long overdue. Three strong female characters fill the ensemble. Musical interludes weave through a plot driven by sharp dialogue and brilliant comedy...Mimi O’Connell provides pinpoint direction here to seamlessly transition the plot’s momentum into these metaphorical explorations of theme, without sacrificing an inch."
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"There are a lot of laughs in 'The Way West' about a family’s descent into debt and insolvency. With humor in pathos, playwright Mona Mansour captures the tenuous way many Americans are living nowadays, financially over their heads with no job security, or worse, permanently unemployed...Mimi O’Donnell’s crisp direction strikes the perfect balance needed to pull off this comedic tragedy. Together with Ms. Mansour, they evoke the family’s back story that you see as plain as day."
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