See it if you want to see a traditional, elaborate production of a timeless opera and enjoy the sound of a full orchestra and magnificent voices.
Don't see it if Even if you are not an opera lover, see this beautiful production. It might change your mind about opera .
See it if you want to see a spectacle and are slightly interest in opera. I'm not a huge opera fan but this is very accessible.
Don't see it if dated stories bother you, or you just cannot stand the opera ... otherwise it's a must see.
See it if The staging is magnificent. There are beautiful costumes and the singing is glorious. A royal experience about the princess.
Don't see it if you do not like opera and cannot follow the translation.
See it if You want to discover or experience the spectacle of an opera. The staging and singing are amazing and the Met Opera delivers on both.
Don't see it if You are turned off or triggered by Orientalism.
See it if you’re interested in the classic, ornate Zeffirelli production of Turandot — the sort that comes to mind when opera is mentioned.
Don't see it if you want a novel take on Turandot (particularly regarding its dated Orientalism). Read more
See it if Beautiful sets and costumes bringing this sparkling tale to live.
Don't see it if Cultural appropriation common in works in this period. Unrealistic fantasy about exotic cultures.
See it if Absolutely beautiful.
Don't see it if You don't love stage perfection.
See it if You want great conducting and singing and one of the few productions that still has the great Zefferelli sets.
Don't see it if You don't like opera.
"Its unlikable romantic leads go largely unfazed by the death and dismemberment"
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"...deliver jaw-dropping moments of overwhelming musical beauty and power."
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"The soprano Gabriella Reyes, her voice radiant and rich in vibrato, was an uncommonly strong Liù, the servant in love with Calàf; Timur, Calàf’s father, was the stalwart bass-baritone James Morris, appearing 50 years after his Met debut. The superb Met chorus has Puccini’s score and Zeffirelli’s staging down pat; the singing in the big ensemble scenes was glorious. The conductor Marco Armiliato led a sure-paced and colorful performance."
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